Showing posts with label youtube. Show all posts
Showing posts with label youtube. Show all posts

Quick Geeky post on Youtube  

Posted by bryce in

So, thinking about the new Youtube geography, I came to a startling realization (NB: Youtube looks like they had a 3 year old design their interface- does someone not believe in framing anymore? how about general aesthetics?). The entire geography has not only changed, but it has also made it impossible for old videos to transcend their video-ed box. What do I mean? Watch some old Youtube Vlogs, and you'll occasionally see people pointing to the old info box and say 'click on the info box for more information'. The info is no longer over there. Youtube has put the videoed people back in the box, relatively speaking. The have re-captivated the monkeys that had expanded the media-ecology of participo-centric experience. Of course, new vlogs will merely point down. But, what does this say for future generations? What if there is no longer an info box? What does that mean for old info box referents? Youtube has changed the pointing from iconic to an Dicent Iconic Legisign... will they further transform it into a Rhematic Iconic Legisign? WHAT IS THE WORLD COMING TO!? (please note, there is a large amount of sarcasm and satire in this post that is intended as a response to all of those who have academically interpreted the new youtube as some kind of hegemonic subjugation).

A few quick thoughts on the video embedded below..  

Posted by bryce in , ,

This video makes me so excited. Especially the idea that there is a real self that the box on the screen can present. To kind of elaborate on an idea that I had previously (maybe somewhere else), but the masked self that one may be on YouTube isn't even the real masked self! It's not a self! It's a contextual box that only exists if you find it! The personas that you find are exactly that, ones that you find. They are not there until you click on them. So, the question becomes not are you the real you, but am I making you the real you. Or, even better, maybe I'm making you the real me...

The Beauty of YouTube  

Posted by bryce in , , ,

As I prepare to do an internship in mediated ethnography, I've been reading a lot about YouTube. Of particular interests are the fears of intellectual property violations that are held by both corporate American and some private citizens. 


YouTube is no stranger to copyright infringement fears: numerous clips have been removed from the site over the past couple of months in response to notices of infringement sent by copyright holders. While these acts have destructive qualities, which are often harped on by numerous media venues, no one seems to be considering the generative qualities that piracy brings to the table. More simply, no one is asking what media piracy is creating in terms of aesthetics...

Piracy is not simply a neutral conduit, but imposes particular conditions on the things being posted. Constant copying, alongside make-shift methods of data transfer and YouTube's own compression procedures, degrade the image and sound in such a way that the "noise" (be it audio or visual pixelation) produced by the means of reproduction is overwhelming the pristine "aesthetic" of media content. Pirated videos are marked by certain aesthetics that are often appraised as "amateur" and more closely resemble those of leisure technology-based work, rather than professional. This creates a material screen through which the audiences' engagement with media and sense of time, speed, and space are filtered. In this sense, prated content creates a set of formal qualities that generate a particular sensorial experience of media marked by poor transmission and massive interference. 

In many ways, as I suggested above, this mimics the aesthetic of user generated YouTube content- it acts as a way to re-appropriate the corporate imagination as part of the populations. In this sense, we can consider the YouTube aesthetic to give us an escape from the all-to-real experience of corporate and commercial aesthetics of perfection. Where the original movie media may have aimed at reproducing the image as if it weren't reproduction but experienced, YouTube allows us to re-draw the  simulacrum (or hyper-real) of the theatre experience (where one is supposed to assume they are not in the theatre, but of the panoptican in the reality being projected) as being a simulation of reality. 

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